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Call
for Papers Architecture+Philosophy
2011 Conference - April 8-9, 2011
Boston University, Department of Philosophy, Boston, MA
Submission Deadline: January 15, 2011.
Thinking
about architecture has long been an enterprise of philosophers and architects alike,
but in recent years there has been a growing divergence between them over
terminological and methodological issues. Philosophers charge architects
with mishandling texts and architects charge philosophers with mishandling
buildings. But there are also other
divisions among contemporary architectural theorists themselves. Some
theorists concern themselves with the human experience, with ethical and
poetical questions, and with sensory and aesthetic explorations of architecture
and its environment. Other theorists are bent on treating architecture as
a form of knowledge that takes shape as a formal and socio-political practice
through tools such as language, algorithms, and diagrams. Still other theorists
see their task as navigating among these sometimes quite distinct approaches.
Architecture+Philosophy
2011 seeks to clarify thought on the intersection of architecture and
philosophy. Keynote speakers will be Dr. Karsten Harries and Dr.
Alberto Pérez-Gómez. Two panel discussions will be held on concrete and
on ethics, love, and architecture.
If you would
like to join the reading group PhilArch Forum that will be
heading up to the event, please see the about
PhilArch page.
The co-organizers are Dr. Daniel Dahlstrom, Bryan Norwood, and Elizabeth
Robinson. For other questions, contact the
conference organizers at architecture.philosophy@gmail.com.
Book Series: RadicalAesthetics-RadicalArt
Deadline: August 31st
Call for book
proposals for two titles - Socio-political aesthetics and Eco-aesthetics as
part of a commissioned series of books: RadicalAesthetics-RadicalArt.
Contact: Dr. Jane Tormey J.Tormey@lboro.ac.uk and
Dr Gillian Whiteley G.Whiteley@lboro.ac.uk. Proposals should be e-mailed to both series editors by
the end of August.
This new series
of books, to be published by I. B. Tauris, explores what aesthetics might mean
in the twenty-first century. We use the term ‘radical’ to promote debate,
confront convention, and formulate alternative ways of thinking about art
practice. The fundamental premise of the series is to reconsider the
relationship between practicing art and thinking about art. The series aims to
liberate the notion of aesthetics from visual traditions and to expand its
parameters in a creative and meaningful way. It proposes to examine those
multisensory, collaborative, participatory and transitory practices that have
developed in the last twenty years.
The purpose of
the series is to critique conventional approaches to thinking about art
practice and aesthetics, reconsider the interrelationships between theories and
art practice on equal terms, provide a useful resource to assist research and
provoke discussion, address current issues in response to contemporary contexts,
encourage an interdisciplinary approach to discussion, and survey recent and
current material and debate.
Books in the
series will provide a comprehensive discussion of developments in contemporary
art practice that is global in scope, their relation to other disciplines in
the humanities, and the consequent re-evaluation of the term ‘aesthetics.’ The series
is intended for an academic audience in the broad field of the fine arts,
history of art, media and aesthetics. The secondary readership would be visual
culture, philosophy and politics and extending across the humanities more
generally.
The
first two titles planned for this series are Socio-political Aesthetics and Eco-aesthetics.
We invite submissions from authors (artists and scholars) who can make a
provocative contribution to the development of these debates. Each book (60-70,000 words) should offer a
challenging critique to assist research and to generate discussion. For each
theme, authors should address its contemporary relevance, outline relevant and
key concepts, provide historical and cultural background, interrogate different
theoretical positions, address theory and practice, and provide comprehensive
bibliography and glossary of terms.
Submission
Proposals
should be 3 to 5 sides A4 and include a statement outlining your theoretical
position and interpretation of the theme, a detailed synopsis, and an outline
of each chapter with reference to specific theories and examples of practice. Author information should include a CV (one A4 page maximum), a brief description
of academic interests and professional affiliations, a list of publications,
and a sample of recent publication (e.g. article or chapter in book).
For background information on the RaRa
project, see
http://www.lboro.ac.uk/departments/ac/mainpages/Research/staff%20groups/Politicized%20Website/PPRG.html
The
Crisis of the Human Sciences:
False Objectivity and the Decline of Creativity March
6-8, 2011 - Kuwait
Deadline
for submission of abstracts: November 30, 2010
The
Gulf University for Science and Technology is a highly modern institution and
strives to be among the leading private universities in the region. Registration and submissions on the conference
website: http://conferences.gust.edu.kw/
Centralization and over-professionalization can lead to the disappearance of a
critical environment capable of linking the disciplines to the "real
world." The humanities need to operate in a concrete cultural environment
able to influence procedures on a hic et nunc basis and should not entirely
depend on normative criteria whose function is often to hide ignorance behind a
pretentious veil of value-neutral objectivity. For example, in sociology, the growth of scientism has fragmented ethical
categories and distorted discourse between inner and outer selves. Philosophy
is suffering from an empty professionalism current in many philosophy
departments in industrialized and developing countries, where tiresome,
ahistorical, and nonpolitical exercises are justified through appeals to false
excellence. In all branches of the
humanities absurd evaluation processes foster similar tendencies as they create
a sterile atmosphere and prevent interdisciplinarity and creativity.
An invidious technicization of theory plays into the hands of technocrats.
Due to the centralization of editorial power in the hand of large university
presses of Anglophone countries, the content, quality, and range of
modern publishing has become only too predictable. How do people working in the humanities respond to the crisis in their
respective disciplines? Papers including either meta-scientific considerations
or concrete observations are welcome.
Submissions:
Proposal
submissions directly related to the topic are welcome from scholars
working in all fields of the humanities and social sciences. A 250-word abstract along with a short
biographical note (max. 100 words) should be submitted by using the conference website.
Papers should not exceed 3000 words (20 minutes reading time). Conference fee:
Early bird (until December 15) 50 KD [€130] covering the costs of an opening
reception, a conference dinner, and refreshments. After December 15: 60 KD
[€155].
For
more information contact:
Ayman Bakr bakr.a@gust.edu.kw or
Thorsten Botz-Bornstein Botz.T@gust.edu.kw
Call
For Abstracts American
Philosophies Forum 2011 Conference: “Cosmopolitanism
and Place” June
2-4, 2011 Círculo de Bellas Artes,
Madrid
Sponsors: Emory University (USA) & Universidad
Carlos III de Madrid (SPAIN)
Deadline: 1 October 2010.
Submissions
are invited on any aspect of this topic and should reflect the broad mission of
the American Philosophies Forum: to
contribute to the critical development, imaginative growth, and shared
understanding of American philosophical traditions in a global context; and to
bring the resources of these multiple philosophies to bear on the
reconstruction of contemporary culture and the amelioration of its
problems. Exclusively expository or
historical submissions will not be
accepted.
Submissions
must take the form of abstracts of 350-500 words sent to: americanphilosophiesforum@gmail.com
Persons who submit an essay should be
Associates of APF. To become an
Associate—there is no cost, simply e-mail name, address, institutional affiliation
(if any), and preferred e-address to: americanphilosophiesforum@gmail.com.
For
additional information about The American Philosophies Forum, the conference,
and detailed submission requirements, see: http://www.americanphilosophiesforum.org/.
Call for Papers
The
Eighteenth International Congress of Aesthetics http://www.caae.pku.edu.cn/ica2010/
August
9th - 13th, 2010
- Beijing
Deadline
for submission of abstracts: March 31, 2010.
The
Eighteenth International Congress of Aesthetics (ICA) is the largest conference
on aesthetics in the world and represents the highest level of scholarship in
this discipline. For about a century, the International Association of
Aesthetics has held seventeen congresses in Europe, Asia, and North and South
Americas, including, since the beginning of the 21st century, three congresses
in Tokyo, Rio, and Ankara . The theme of the Beijing Congress
will be “Diversities Aesthetics.”
On
behalf of the Program Committee for the XVIII International Congress of
Aesthetics, we are pleased to invite you to attend the convention. Please submit the abstract of your
presentation to ica2010@yahoo.cn
Topics
include:
1. The
global and the local: Western and non-Western aesthetics 2. The
definition of art and the analysis of concepts of art 3. Conflicts
and interactions between cultural studies and aesthetics 4. The
relationship between aesthetics and philosophy, ethics, psychology, or anthropology, etc. 5. The
relationship between aesthetics and forms of art, such as music, painting,
sculpture, architecture, calligraphy, movie, and design, etc. 6. The
relationship between aesthetics and nature/environment/ecology 7. The
relationship between aesthetics and economy, society, and politics 8. Aesthetics
and aesthetic education 9. Aesthetics:
historical traditions and modernization 10. Aesthetics:
information technology and the cyber-space
Please note: Abstracts should be
200 - 300 words. Please mark on your abstract the topic under which you wish it
to be listed. Submitted abstracts will be reviewed by the Program Committee. A
formal letter of invitation will be sent out by the Program Committee when an abstract
is accepted.
Suggested
length: 30 min., including 10 min. for discussion.
Registration
fee: 200 USD (IAA membership included); graduate
students,100 USD (IAA membership included).
Fourteenth Annual
Meeting of International Association for Environmental Philosophy
November 6-8, 2010, Montreal, Canada
www.environmentalphilosophy.org
The International Association for Environmental Philosophy
(IAEP) invites attendance at its annual
meeting to be held in Montreal, Canada on November 6-8, 2010, immediately following
the 49th Annual Meeting of the Society for Phenomenology and Existential Philosophy
(SPEP).
The International Association for Environmental Philosophy offers a forum for
the philosophical discussion of our relation to the natural environment.
Embracing a broad understanding of environmental philosophy, IAEP encourages
discussions of environmental ethics, environmental aesthetics, ontology, the
philosophy of science, political philosophy, ecofeminism, the philosophy of
technology, and religion. IAEP also welcomes a diversity of approaches to these
issues, including those inspired by Continental philosophy, the history of
philosophy, and the tradition of American philosophy.
For further information contact:
Brian Schroeder
Co-Director, International Association for Environmental Philosophy
http://www.environmentalphilosophy.org
Call
for Papers and Artworks
Geo-Aesthetics in the Anthropocene
Salisbury University May 24-26, 2010
http://geoaesthetics.blogspot.com
SUBMISSION DEADLINE: March 1, 2010 What do the ecological humanities have to say in a time of extinction
unprecedented in human history? How might the ecological arts address living in
the emergence of a geological era that is now defined primarily by the human
impact upon the living world? Featured Speakers include Irene Klaver, Director of The Water Project; John
Murungi, co-founder of IASESP; Joan Maloof, author of Teaching the Trees ; Thomas Horton, environmental journalist.
Proposals for papers, as well as artworks and musical and theatrical
presentations, welcomed. Send abstracts and/or images to:GeoAesthetics@aol.com or to Dr. James Hatley, Department of Philosophy,Salisbury
University, Salisbury MD 21801. Sponsored by The International Association for Environmental Philosophy, the
Philosophy Department, the Environmental Studies Program, and the Fulton School
of the Liberal Arts of Salisbury University.
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