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Contemporary Aesthetics deco image Contemporary Aesthetics (CA) is an international, interdisciplinary, peer- and blind-reviewed
       open-access online journal of contemporary theory, research, and application in aesthetics.
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Archive VOLUME 14 (2016)
Recent Publications
Short Notes
Tom Baugh Thoughts on the Aesthetics of Water
Erick Verran Explication of Events and Dialogues in Samuel Beckett's Waiting for Godot
Tom Baugh Thoughts on a Holographic Aesthetics of Nature
Wieteke Holthuijzen Using Soundscape Ecology in Design and Function
Lejla Vujicic From Things to Relationships: Architecture of the Ecological Mind
Marius A. Pascale Macabre Fascination and Moral Propreity: The Attraction of Horror
Gilead Bar-Elli Absolute Pitch and Tone Identification
Michael Ranta & Jale Erzen Report on the XXth International Congress of Aethetics "Aesthetics and Mass Culture" Seoul National University, Seoul, South Korea, 24-29 July 2016
Majid Heidari The Plight of Aesthetics in Iran
Mikel Iriondo Aranguren Aesthetics and Autobiography: Emotion and Style in The Book of Disquiet by Fernando Pessoa/ Bernardo Soares
Russell Quacchia The Aesthetic Experiences of Aura, Awe, and Wonder: Reflections on Their Nature and Relationships
Yrjö Sepänmaa Human Nature and Aesthetic Ecosystem Services: Nature in the Service of Humankind and Humankind in the Service of Nature
Gavin Keeney No-media: Against the Coming Singularity
Daniel Conrad The Importance of the Artist's Intent
Peter H. Karlen Humor and Enlightenment, Part I: The Theory
------- Humor and Enlightenment, Part II: The Theory Applied
Jozef Kovalčik
& Max Ryynänen
The Institutional Margins of Aesthetics: A Study Proposal
SYMPOSIUM on The Cultural Promise of the Aesthetic by Monique Roelofs
Kathleen M. Higgins Positioning and Discernment:  A Comment on Monique Roelofs's The Cultural Promise of the Aesthetic
Carolyn Korsmeyer Address and the Lure of the Aesthetic:  Reflections on Monique Roelofs, The Cultural Promise of the Aesthetic
Mariana Ortega The Difference that Art Makes
Monique Roelofs The Aesthetic and Its Resonances:  A Reply to Kathleen M. Higgins, Carolyn Korsmeyer, and Mariana Ortega
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