Category: Special Volumes

Negative Aesthetics In Art, Environment, And Everyday Life: Arnold Berleant’s Theory And The Novels Of Kirino Natsuo  

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Negative Aesthetics In Art, Environment, And Everyday Life: Arnold Berleant’s Theory And The Novels Of Kirino Natsuo Mara Miller   Abstract Arnold Berleant’s valuable analysis of ‘negative aesthetics’ in his 2010 book Sensibility and Sense: The Aesthetic Transformation of the Human World provides an analytic framework not only for general investigation of negative aesthetics but […]

Reflections

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Reflections Arnold Berleant   It is gratifying to see this special issue of the Polish journal Sztuka y Filozofia, originally published in Polish in 2010, now accessible in an English translation. Along with Polish editions of several of my books, it demonstrated close attention to my work, an interest of which I had not been […]

Editorial Introduction to the Special Volume on Urban Aesthetics

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Editorial Introduction to the Special Volume on Urban Aesthetics Sanna Lehtinen   1. Aesthetic interest in cities This Special Volume is dedicated to an increasingly central direction in contemporary philosophical aesthetics that has also been gaining interest in the dynamically developing multidisciplinary field of the philosophy of the city. In addition to these theoretical approaches, […]

What is an Urban Atmosphere?

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What is an Urban Atmosphere? Adam Andrzejewski, Mateusz Salwa   Abstract Atmosphere is one of the key ideas in contemporary aesthetics. The concept proves to be exceptionally useful whenever particular spaces, including interiors or urban spaces, are discussed regarding their unique features. The goal of the paper is to reconsider how an urban atmosphere may […]

Urban Kinaesthetics

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Urban Kinaesthetics Tea Lobo   Abstract The question how a city can be an aesthetic object or a beautiful object can be posed in a more fundamental manner: how a city can be perceived in the first place. By city, I mean both a built environment and its less tangible social and political reality, such […]

The Socially Transformative Aesthetics of Street Culture: From Walter Benjamin’s One-Way Street to The Arcades Project

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The Socially Transformative Aesthetics of Street Culture: From Walter Benjamin’s One-Way Street to The Arcades Project Jules Simon   Abstract This paper discusses the dialectical relationship of what I call an ethical aesthetics of the city, exemplified in the relationship of the Haussmannization techniques of architectural administration and spatial domination in their forms of the functionalist […]

Loneliness, Art and the City

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Loneliness, Art and the City David Jenkins   Abstract Recognition of the costs of loneliness, in terms of public coffers and people’s health, is a relatively new phenomenon. That cities can be experienced as lonely places is nothing new. Responding to this, urban design focuses primarily on designing parks, housing, and plazas that bring people […]

From Footsteps to Data to Art: Seeing (through) a Bridge

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From Footsteps to Data to Art: Seeing (through) a Bridge Sage Cammers-Goodwin and Michael Nagenborg   Abstract While the guiding vision for IoT (Internet of Things) suggests that technology withdraws to the background, this paper explores the case of a physically visible, IoT-enabled footbridge to be placed in Amsterdam in summer 2020. The question is, […]

Introduction

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Introduction Emmanouil Aretoulakis   1. The aesthetic and the terrorizing–opening Pandora’s terror box with aesthetic tools The publication of a special volume on such a thorny and controversial topic as the affinity between aesthetics and terrorism is not just timely but long overdue. The first decade of the twenty-first century witnessed the steep rise of […]

The Aesthetics of Terrorism and the Temporalities of Representation

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The Aesthetics of Terrorism and the Temporalities of Representation Robert Appelbaum   Abstract Representations of terrorism, in fiction and non-fiction, summon their readers and viewers to examine terrorism in any of at least four modes of temporality: the past, the past perfect, the continuous present, and the simple present. This essay explains those modalities and […]

ISIS and Futurist Terrorism Versus Cyberpunk

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ISIS and Futurist Terrorism Versus Cyberpunk Thorsten Botz-Bornstein   Abstract The origin of science fiction is twentieth-century Futurism. For the largest part of the twentieth century, science fiction maintained an optimistic attitude towards the future. At the end of the 1970s, the modern, optimistic, and futurist vision of the future, typical for avant-garde movements of […]

Dismantling Bodies: The War on Terror, and the Wound Aesthetic of CSI: Crime Scene Investigation (2000-2015)

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Dismantling Bodies: The War on Terror, and the Wound Aesthetic of CSI: Crime Scene Investigation (2000-2015) Christopher J. Davies   Abstract This paper interrogates the aesthetic signature of CSI: Crime Scene Investigation (2000-2015). Utilizing a selection of representative episodes airing during George W. Bush’s first term, I analyze how CSI mobilizes a particular aesthetic of […]

The Power of Horror: Abject Art and Terrorism in Don DeLillo’s Falling Man

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The Power of Horror: Abject Art and Terrorism in Don DeLillo’s Falling Man Kelsie Donnelly   Abstract This paper argues that Don DeLillo’s 2007 novel, Falling Man, engages with abject art to disrupt the pre-existing systems of signification and dualistic rhetoric that characterized state and media responses to the terrorist attacks of September 11, 2001. […]

Reflections on the Aesthetics of Violence

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Reflections on the Aesthetics of Violence Arnold Berleant   Abstract Violence has long been a factor in human life and has been widely depicted in the arts. This essay explores how the artistic and appreciative responses to violence have been practiced, understood, and valued. It emphasizes the difference between the aesthetics of distant, disinterested appreciation […]

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